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Saint Basil's Cathedral
Title:
Saint Basil's Cathedral
Alt. Title:
Cathedral of Saint Basil the Blessed
View:
West side, close view
Creators:
attributed to Barma (Russian architect, active 1555-1560); attributed to Postnik Yakovlev (Russian architect, active ca. 1550-1562)
Creator:
Yakovlev, Postnik
Style/Period:
Muscovite (style); Sixteenth century
Style/Period:
Muscovite (style)
Location:
site: Moscow, Rossiya, Russia
Location Notes:
Red Square
City or Site:
Moscow
Country:
Russia
GPS:
+55.752541+37.622996
Culture:
Russian
Date:
1553-ca. 1680s (inclusive)
Measurements:
200 ft (height, central dome)
Material:
wood; brick; tile; polychrome; gilding; stone
Work Type:
buildings; religious buildings; churches; cathedrals
Work Type:
cathedral
Description:
In 1553-1554, at the command of Ivan IV (reigned 1533-1584), the stone church of the Trinity on the Fosse (Troitsa na Rvu) was built in Red Square to commemorate the capture of Kazan. It had seven wooden chapels. In 1555-1561, however, the new brick cathedral of the Protective Veil on the Fosse (Pokrov na Rvu), attributed to the architects Barma and Postnik, was built with eight stone chapels symmetrically arranged on a common foundation around this central part. Another chapel was built in the north-east corner over the grave of the ‘holy fool’ of Moscow, Basil the Blessed (Vasily Blazhenny), in 1588, since when the cathedral has been popularly known by his name. At this time the free-standing bell-tower at the south-east corner of the building was erected. The ornamented domes over the chapels were added in 1593. In 1672 a chapel was built in the south-east corner over the grave of another ‘holy fool’, John the Blessed (Ioann Blazhenny). In the 1680s a covered gallery with columns and four vestibules was added. The bell-tower was entirely rebuilt. The outside walls of the gallery and the window casings were ornamentally painted, and a polychrome carved frieze with inscriptions was placed below the cornice. In the 18th century the ceramic inscriptions were removed during repairs, as well as the small domes at the base of the central hipped roof. Restoration work, begun in the 1890s, continued in the Soviet period. The church’s astonishing appearance symbolized a heavenly Jerusalem embodying in its forms the idea of the church-city, and to a large extent governed the original conception of the church as a multi-chapel creation. (Source: Grove Art Online; http://www.oxfordartonline.com/)
Classification:
architecture
Technique:
construction (assembling); painting and painting techniques
Subjects:
architectural exteriors; decorative arts; New Testament; saints
Image Rights:
© Scott Gilchrist, Archivision, Inc.
Vendor ID:
1A2-R-M-SB-B4
Image Filename:
1A2-R-M-SB-B4.jpg
Image ID Number:
39305
Module:
Archivision Addition Module Four
Collection:
Archivision Samples
Record created:
April 25, 2013
Last modified:
April 25, 2013
Collection Memberships
Collection | Visible |
---|---|
Archivision Samples | yes |
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